Alright, cards on the table: this is a pen that I have wanted for a long time; my first grail pen as it were. And while I had held off on purchasing one for a long time, due to several concerns, including price and how oddly the pen is laid out, circumstances over the summer compelled me to play Galahad to this pen’s grail, and pick it up. And, again: cards on the table, it does not disappoint.
The Pilot Vanishing Point is a metal bodied fountain pen with a retractable nib. And that’s the point that most people I’ve talked to do a double take, because that’s not something you see every day. And while one could look at this feature and call it a gimmick, everything else points to this pen being a high quality pen, period.
Starting with the packaging, which I normally don’t consider in a pen review. But it’s worth pointing out here, because it is above and beyond what I’ve come to expect from Pilot. The box is a windowed, clamshell design meant to allow users to see the pen. It has the Pilot logo embossed on the bottom frame of the window and a leather texture has been stamped on all sides. The pen itself rests on a plastic bed that has been made to feel like velvet. Underneath the bed is a storage compartment where you can store spare cartridges, and Pilot provides one of Namiki’s blue ink, as well as a use and care guide. Now, I don’t keep pens in their packaging, preferring to slip them into a pen case to save on bulk, but it’s clear that this is a package that is meant to stick around. The storage is functional and the window is nice for those to display their pens, and the entire thing is less utilitarian and fancier than what you’d get a Pilot Metropolitan in. Material-wise, I have to compare it to Conklin packaging, which is generally nicer and harder for me to discard. So, I wouldn’t keep the box around, but it speaks to the idea that this is a cut above the beginner level pen.
The pen itself is a fairly heavy, but not as much as I thought it would be, coming in at 30 grams. For comparison, my heaviest pen, the Karas Kustoms ink is 37 grams, and the Metropolitan is 32 grams. At this weight, the Vanishing Point is really nice to handle, feeling both heavy enough for my taste, but lightweight at the same time. The metal material is cool to the touch, but warms nicely in the hand.
The Vanishing Point is a cigar shape, tapering at both ends and being fairly understated. It’s available in several colour schemes, with options with rhodium, gold, or black hardware, classy colours like black, red and gunmetal and a few limited editions that last for a year. It’s not a total “there’s something for everyone” deal, but there is a great variety in the limited editions and the stock colours are all very classic pen colours. I have a black with rhodium trim, but all of them have a similar aesthetic. I really like what Pilot’s gone for here. It’s understated, but looks like a classic, high quality pen.
Okay, now on to the feature that sets this pen apart: the retractable nib. This is something that throws a lot of pen convention out the window. There is no grip section to speak of; users have to hold on to the pen body. The clip narrows near it’s base, indicating that users can grip there, though in my opinion it’s too narrow to be comfortable. Speaking of the clip, it’s on the end that the nib comes out of, which is something that most people I’ve talked to find very curious. It’s a completely understandable design decision and doesn’t bother me at all, but I’ve heard that is can interfere with some grips and be uncomfortable. On the other end is the nock, which has a heavy action. I like this because the chance of accidentally opening the pen in a pocket is nil, and the click of the pen is so satisfying. The pen also has a trap door that hides the nib, keeping it clean and wet for when you want to use it. I know this isn’t for everyone, but I love this feature and the convenience of not having to cap and uncap the pen has made the Vanishing Point one of my everyday pens.
The pen comes with a Pilot CON 20 piston converter, but it can be switched with a Pilot Cartridge, which I’ve done. Refilling this pen is easy; the entire nib unit comes out of the pen so users can fill from an ink bottle, or just install a new cartridge. The unit goes back into the pen a specific way, but there is a little notch to guides the unit into the pen body correctly and prevents improper installation, which is just an ace idea.
The nib is an 18k gold nib, the first I’ve ever owned. It comes in extra-fine, fine, medium, broad and stub, of which I’ve opted for the extra-fine. I tested this pen in my Rhodia Webnotbook with Namiki Black ink, which isn’t included with the pen. And, the gold nib makes a huge difference. There’s some feedback off the page, which I fine quite pleasant, but beyond that, it was fairly smooth, especially considering how fine the nib is. It didn’t not feel like it dug into the paper at all, and laid down a rich, dark line, but thin enough for my small handwriting to be very clean. It;s super reliable and I had no ink feeding issues. There’s not much more to say expect that this is a brilliant writing experience.
This is a wonderful pen and I love basically everything about it. It writes well, the mechanisms of the pen are very convenience and I think it looks really good. It’s not a stunner, but its aesthetic matches mine well. In short, there is nothing wrong with this pen. But, as much as I rave about it, I have to acknowledge that the Vanishing Point is not for everyone. It is not a conventional fountain pen. A lot of things that make it so good in my eyes may be negatives in another person’s. And there’s no way to tell if you like it without testing one. At $148.00, it’s an expensive purchase; well beyond a entry level pen. I personally think it’s worth every penny, but it is something that should be trialled before purchasing.
This pen was purchased at a discount with my own funds.